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INTERVIEW: Composer Devin Burrows Creates Terrifying Tones For THE WRETCHED

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Box Office Flashback: June – False Memories, Perfect Storms, And Living Toys

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Four Of The Best Video Games Based On Comic Book Characters

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Casinos and Pop Culture: Influence Intertwined

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INTERVIEW: Pro-Gamer “FyrBorne” Talks Gaming, Tattoos, And Charities

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INTERVIEW: Production Designer Erin Magill On ‘Swallow’ And ‘The Quarry’

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Box Office Flashback: May – Time Travel, Tom Cruise, And An Iron Man

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INTERVIEW: Composer Christian Davis Puts the Sonic Frights Into Horror Film ‘Behind You’

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INTERVIEW: Composer David E. Russo Scores The Odyssey ‘Windows On The World’

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INTERVIEW: ‘Get Out’ Composer Michael Abels Scores HBO’s ‘Bad Education’

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INTERVIEW: Composer Nathaniel Blume And The Sonic Puzzles Of ‘Prodigal Son’

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INTERVIEW: ‘This Is Us’ Composer Siddhartha Khosla Goes ‘Looking For Alaska’

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INTERVIEW: Composer Thomas Roussel On Making The Music For Jumbo

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INTERVIEW: Makeup Artist Susie Glass And The Two Faces Of Fantasy Island

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INTERVIEW: Composer Mark Isham And The Sound Of Little Fires Everywhere

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Box Office Flashback: April – Ernest, A Submarine, And Titans Clash

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REVIEW: The Many Problems With Star Trek: Picard

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A Comprehensive Guide to Start Writing Comics

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INTERVIEW: Director Diana Valentine Talks Visual FX, The 100, NCIS, And More

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SPARTACUS: What A Rebel Gladiator Says About Mythology in Entertainment

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