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Monkeys Fighting Robots
Reviews
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POPAXIOM
Movie Reviews
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Review ‘Inferno’ Another Preposterous Dan Brown Yawn
Kieran Freemantle
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Review: ‘Keeping Up With Joneses’ Nope, I’d Rather Not
Dewey Singleton - Film Critic
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Episode 96: ‘Westworld’ Goes Too Deep?
Matthew Sardo
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REVIEW: ‘Jack Reacher: Never Go Back’ weakest Cruise film in years
Felix Albuerne
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REVIEW: ‘Tell Me How I Die’ – Valiant Effort With Slimmers of Originality
Kris Solberg
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REVIEW: ‘Borrowed Time’ – Masterclass in Emotive Storytelling
Kris Solberg
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Review ‘The Accountant’ An Incomplete Action Film With No Identity
Dewey Singleton - Film Critic
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Episode 95: ‘The Flash’ vs ‘The Accountant’
Matthew Sardo
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‘The Accountant’ Review: Rollercoaster Of Emotions Wrapped In Violence
EJ Moreno
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REVIEW: ‘Denial’ riveting, powerful, and poignant
Felix Albuerne
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Review ‘A United Kingdom’ – Prestige and Political
Kieran Freemantle
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Review: ‘The Girl On The Train’ Is A Contrived Trip Better Suited For TV
Dewey Singleton - Film Critic
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Review: ‘The Birth Of A Nation’ A Searing Opus That Holds Nothing Back
Dewey Singleton - Film Critic
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‘Shin Godzilla’ Review: A New Era Of Toho Godzilla Is Here
EJ Moreno
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‘The Girl On The Train’ Review: Erotic Thriller Done To Perfection
EJ Moreno
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Five Favorite Films From The Year I Was Born: 1986
Devon Kenney
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REVIEW: ‘The Birth of a Nation’ Powerful, Poignant Historical Portrait
Felix Albuerne
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‘American Honey’ Review: A Free-Wheeling, Supremely Immersive Depiction Of Rebellious Youth
Will Ashton
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Retro Review: Why is ‘Speed 2: Cruise Control’ Such a Despised Sequel?
Kris Solberg
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Review: ‘Miss Peregrine’ Is An Effective First Step Into A Weird World
Dewey Singleton - Film Critic
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