Movie Reviews

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REVIEW: ‘Creep 2’ is a Wild, Unpredictable Horror Sequel

Larry Taylor - Managing Editor -

REVIEW: ’78/52: Hitchcock’s Shower Scene’ a Detailed Look at a Watershed Moment in Cinema

Larry Taylor - Managing Editor -

‘The Snowman’ Review: Why Would Anyone Subject Themselves To This ?

Dewey Singleton - Film Critic -

Review: The ‘Thor: Ragnarok’ Color Explosion Will Hurt Your Face (In A Good Way)

Matthew Sardo -

REVIEW: Netflix’s ‘1922’, Another Stephen King Adaptation, is a Chilling Pastoral Nightmare

Larry Taylor - Managing Editor -

‘Pirates of the Caribbean: Dead Men Tell No Tales’ DVD Review: These Features Rock

Dewey Singleton - Film Critic -

‘The Foreigner’ Review: Solid Writing And Great Direction Allow Chan To Flourish

Dewey Singleton - Film Critic -

REVIEW: ‘Brawl in Cell Block 99’ is Here to Kick Your Ass

Larry Taylor - Managing Editor -

Review ‘Marshall’ : Subpar Writing And Performances Derail This Biopic

Dewey Singleton - Film Critic -

‘Happy Death Day’ Review – A Rare Misfire From Blumhouse

Anthony Composto - EIC -

Review: ‘The Foreigner’ Jackie Chan Kills It (And Kills Everyone)

Matthew Sardo -

Review: ‘Marshall’ Weird Plot Threads And Casting Lead To An Average Film

Matthew Sardo -

Review: ‘Killing Gunther’ Killed My Joy For Cinema

Matthew Sardo -

Is ‘Blade Runner 2049’ Better Than The Original?

Matthew Sardo -

Review : ‘Blade Runner 2049’ A Dazzling Spectacle Of Science Fiction Fun

Dewey Singleton - Film Critic -

Facebook Live Review: ‘Blade Runner 2049’

Matthew Sardo -

‘Battle Of The Sexes’ Review: Stone and Carell Deliver Strong Performances

Dewey Singleton - Film Critic -

‘American Made’ Review: Cruise’s Performance Makes Up For ‘The Mummy’

Dewey Singleton - Film Critic -

Tom Cruise ‘American Made’ vs Sam Elliott ‘The Hero’

Matthew Sardo -

‘Stronger’ Review: Maslany and Gyllenhall Shine In One Of The Years Finest Films

Dewey Singleton - Film Critic -