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Monkeys Fighting Robots
Reviews
Previews
Features
Interviews
POPAXIOM
POPAXIOM
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Review: Jurassic World Dominion ends this era with a whimper
Eric Trigg
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INTERVIEW: Production Designer Marek Dobrowolski Talks The Walking Dead & More
Ruben Diaz
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Review: DERRY GIRLS SEASON 3 is a Fitting End to a Great Irish Series
Kieran Freemantle
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Review: Firestarter offers a dull flame in new adaptation
Eric Trigg
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INTERVIEW: HEAVY METAL DRUMMER’S Kiefer Findlow & Emiliano Plissken
Manuel Gomez
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Review: EVERYTHING EVERYWHERE ALL AT ONCE is a Multiverse Spanning Masterpiece
Kieran Freemantle
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Review: Doctor Strange 2 is Sam Raimi’s MCU Horror Film
Eric Trigg
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INTERVIEW: Composer Philip White Scores Tyler Perry’s A Madea Homecoming
Ruben Diaz
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INTERVIEW: Cinematographer Christopher Rejano And The Colors Of NIGHT’S END
Ruben Diaz
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Review: DOCTOR WHO FLUX Has a Couple of Great Episodes to Lift a Mediocre Season
Kieran Freemantle
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Review: THE UNBEARABLE WEIGHT OF MASSIVE TALENT is the Best Bromance Movie since HOT FUZZ
Kieran Freemantle
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INTERVIEW: Sound Designer Udit Duseja And The Experimental Documentary All Light Everywhere
Ruben Diaz
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Review: AMBULANCE is a wild and nauseating experience
Eric Trigg
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INTERVIEW: Director Paul Trillo And The Super Bowl’s OVERSHARING MOM
Ruben Diaz
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Review: Fantastic Beasts 3 Restores Magic To The Wizarding World
Eric Trigg
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INTERVIEW: Composer Paul Koch Scores Action Film A DAY TO DIE
Ruben Diaz
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INTERVIEW: Composer Phillip White Scores Tyler Perry’s A Madea Homecoming
Ruben Diaz
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Adventure Films Continue To Excite Audiences
Don Draper
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INTERVIEW: Producer Daemon Hillin Torments Viewers In Horror Film THE LONG NIGHT
Ruben Diaz
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Review: THE CELLAR Terrifies Then Crashes Its Concept
Eric Trigg
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