Comics

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INTERVIEW: Composer Devin Burrows Creates Terrifying Tones For THE WRETCHED

Ruben Diaz -

The 2020 Eisner Award Nominations Are In, And…

Gabriel Hernandez -

Review: BIRDS OF PREY #1 Has Unused Potential

Jose "Jody" Cardona -

Exclusive AfterShock Preview: DARK RED #10 – It’s Bloodbath

Matthew Sardo -

Get Lost in 70’s Grindhouse-Noir with a BLACKING OUT Playlist

Justin Munday -

Review: CRITICAL ROLE: VOX MACHINA ORIGINS II #6 — The Exorcism Of Grog

Corey Patterson -

How ALIENS: THE ORIGINAL COMICS SERIES Takes Advantage of Its Lack of Color

David Weber -

Box Office Flashback: June – False Memories, Perfect Storms, And Living Toys

Ruben Diaz -

How HAWKEYE VOL. 1 Bridges the Gap in Storytelling

Cat Wyatt -

A Chilling Beginning in THE RED MOTHER VOLUME 1

Cat Wyatt -

Self-Published Spotlight: CRIME-KILLER by Brian Judge

Manuel Gomez -

Review: FAR SECTOR #6 & The Pull of Emotions

Justin Munday -

How THE ULTIMATES Changed My Concept Of What A Comic Book Could Be

Matthew Brake -

Review: Billy Batson Grows Up In SHAZAM #12

Colin Tessier -

Review: ACTION COMICS #1022 Opens An Investigation That Will Rock The DCU

Colin Tessier -

Exclusive Preview: AFRAID OF EVERYTHING With Special Message From Adam Tierney

Matthew Sardo -

KILLING EVE – Are You From Pinner | TV Review

Kieran Freemantle -

Review: The Elements Of Existence Come Together In JUSTICE LEAGUE DARK #22

Corey Patterson -

Review: POSTAL: DELIVERANCE #8 Firing On All Cylinders

Darryll Robson -

Interview: Curt Pires Pushes The Industry With YOUTH

Matthew Sardo -