Comic Book Oped

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Inside The Box: Defining The Use Of Captions In Blade Runner Adaptation

Darryll Robson -

Face Your Fears: Revisiting INFIDEL During Our Time of Revolution

Elizabeth Buck -

The Building Blocks Of Story Telling In SLEEPING BEAUTIES

Darryll Robson -

SPIDER-MAN LIFE STORY: The Potential For Multiple Spin-Offs

Jake Palermo -

Eye Grabbing Panels In UNDONE BY BLOOD #3

Darryll Robson -

DOOMSDAY CLOCK and Geoff Johns’s Apolitical Superman

Matthew Brake -

How SHADOW SHOW: STORIES IN CELEBRATION OF RAY BRADBURY Pays Tribute to the Sci-Fi Author

David Weber -

The Grammar Of Comics In BLUE IS THE WARMEST COLOR

Darryll Robson -

How ALIENS: THE ORIGINAL COMICS SERIES Takes Advantage of Its Lack of Color

David Weber -

Self-Published Spotlight: CRIME-KILLER by Brian Judge

Manuel Gomez -

How THE ULTIMATES Changed My Concept Of What A Comic Book Could Be

Matthew Brake -

I’d Buy That For A Dollar: TERROR INC. #12 (Marvel Comics June 1993)

Manuel Gomez -

The History of Shazam: From Fawcett Comics to the Big Screen

David Weber -

ELECTRIC SOUP: Frank Quitely’s Origin Story

Darryll Robson -

SWAMP THING by Nancy A. Collins: A Nearly Forgotten Chapter

Justin Munday -

I’d Buy That For A Dollar: BATMAN BLACK AND WHITE #4 (September 1996)

Manuel Gomez -

I’d Buy That For A Dollar: THE SPECTACULAR SPIDER-MAN #156 (November 1989)

Manuel Gomez -

Brian K. Vaughan and Tony Harris’ EX MACHINA: Where Heroism Goes to Die

Justin Munday -

Unpacking The Destruction On The PLANET OF THE APES

Darryll Robson -

SUPERGIRL and COMBAT COLIN: Two Peas In A Pod?

Darryll Robson -